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Develop Your Style
The popular jingle, “If it ain’t Panadol, it ain’t the same thing as Panadol,” makes a lot of sense, especially when viewed from a broader perspective. In reality, nothing can be as real as the real thing. No matter the quality of his voice, knowledge and experience in vocal music, one cannot sing a song in the exact voice of the originator of that song. At best, it can only produce a replica of the original.
In relation to writing style, the best a writer can be himself. One can only excel as a writer if he develops his own personal style instead of being an imitator. Writing style, which is a function of how one uses language, is an innate tendency that is peculiar to each individual writer. According to Richard Taylor in his book, The Elements of Literature (1981), writing style “involves word choice and sentence arrangements or patterns.” This means that a writer’s identity is firmly established by his choice of words and the distinctive way in which he weaves them into linguistic structures to communicate his ideas. Therefore, the moment a writer begins to force his style to resemble another writer, he begins to lose his own identity and
uniqueness that arises from that identity.
This is not a call for a radical departure from established literary norms or traditions or mainstream literary techniques. There is no denying the fact that no writer can escape from the universally accepted ways in which words must combine to give meaning. Similarly, each genre of literature has standard characteristics by which it is recognized, and from which no writer can escape. Therefore, as stated earlier,
this is not an appeal to some impractical literary eccentricity. What is suggested is that in basic literary principles a wide variation of self-expression is possible. In fact, for a faster realization of a personal signature in the world of writing, nothing compares to the use of “unconventional” but significant expressive combinations. Such combinations have not only the originality, but that freshness which is the main point of attraction in any piece of writing.
It is very important for one to recognize and develop his personal style, because creativity grows on variety. That is why God, the Master Designer, designed the world in such a way that everything is different from everything else – from physical appearance to mannerism and such other characteristics that can be found in humans and other creatures. Variety is not just the spice of life, as is generally believed, it is life
himself, and God’s way of creating room for choice. So it is with
writing A variety of styles offers the reader a wide range of choices. So when you allow your style to be overshadowed by someone else’s, you narrow that scope of choice and unwittingly drive readers away from your work. Just imagine the disappointment of a reader who, probably tired of reading Wole Soyinka, decides to read your work for a change, only to be confronted with Soyinka on every line of every page.
There is no need for one to be ashamed of his style, no matter how bad he thinks it is. Because, in creation, everything has its place; even ugliness. That, perhaps, is why some beautiful women find ugly partners better, and vice versa. How can you be sure that the style you’re trying to bury under another writer’s style isn’t what readers are craving? When DH Lawrence, another Briton of the 20th Century
writer, he started his simple poems, the critics tore them apart, saying that he was simplistic and that he should stick to his novel writing where he could be as prosy as he wanted. But he stuck to his guns, and today his free verse style is in-thing.
Of course, the styles could be similar without one necessarily copying from the other. And one could be inspired by some styles. But this is not the same thing as deliberate attempts to make one’s works look exactly like another writer just because that writer made a name for himself. Writing a crime novel, for example, one could still keep his personal touch even if he was inspired by James Hardley Chase or Nick Carter. Ola Rotimi is a glaring example. His play, Gods are not to blame, is
a direct adaptation of Oedipus Rex, a play from Greek mythology, but it never sounded Greek.
So, discover your style today and let it evolve with all its peculiarities. The sky is not your limit!
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